Drawings

Drawing, from the series "Currents", 164 x 152 cm.
Ink, oilchalks, graphite, brushes and pencils, 2024.
Drawing, from the series " Currents ", 140 x 100 cm, 2024
Indian ink and oil chalks.
Drawing-decoupage, "Presence-Absence", 240 x 50 cm, 2024.
Uzbekistan papers mounted on Kozo Paper, indian ink and decoupage.
4 x Drawings, " Like a river " , 124 x 96 cm.
Mixed media, oil chalks, china ink, on off-white paper and rice paper, 2023-2024.
Drawing, from the series " Above and below ", 100 x 70 cm.
Mixedmedia, ink, sepia, graphite.
2023.
Drawing, "Bright", from the series "Above and Below", 100 x 70 cm.
China ink, graphite and coloured pencils, 2022.
Studio wall, small pieces.
Mixed media on paper and collages.
2023.
Drawing, from the series "Above and below", Mixedmedia, 100 x 70 cm.
Washed China ink and pen drawing.
2023.
Drawing, from the series "Mountains, stones, clouds", 64 x 48 cm.
Collages, Decoupages, Oil Chalks and ink.
2023.
Drawing, from the series "Mountains, stones, clouds", 64 x 48 cm.
China ink, pencils and collage.
Drawing from the series "Mountains, stones, clouds".
2023.
Drawings, from the series "Mountains, stones, clouds..", 100 x 70 cm and 30 x 42 cm.
Drawing en collage on paper, 2023.
Drawing, from the series "Stones under water ", 110 x 130 cm, mixed media.
Graphite, China ink, coloured pencils.
2020.
Photo Hugo Rompa.
Drawing-collage, from the series "Oesters aan de zeebodem", 100 x 70 cm.
China ink, graphite and collage, 2021.
Project Veere Museum ( Zeeland ) with NKvt.
9 drawings, 9 x 21 x 15 cm, from the series Isolation, " tussen oesters en meren ", between oysters and lakes, mixed media and collage.
Coloured pencils, China ink and collage on brown and black paper.
2020.
Drawing, from the series "terug naar de ruimte", back to the space, 100 x 140cm, mixed media.
China ink, Sepia, Graphite, Siberian charcoal.
2019.
Photo Hugo Rompa.

Drawing, from the series "terug naar de ruimte", back to the space, 100 x 70cm, mixed media.
Graphite, siberian charcoal.
2019.


drawing, untitled, 100 x 70 cm, mixed media.
Coloured pencils, China ink.
2018.
Drawing, untitled, 100 x 70cm, 2016.
"I think what I mirror the most deeply is the work that is grounded either that you see or feel an influence of nature, or that it is grounded by the lines in the periphery that suggest a frame. They always work wonderfully to take you into the work and your eye is welcome to move around. I think the linear aspects are suggestive not only of nature, your muse, but also there is a deeper connection to ( I don`t want to say religious as that is too restrictive ), but perhaps spiritual is the correct word. Work that takes you deeper into yourself. But having said that, on some level the linear movement feels like the essence of the cross, not literally, but the movement horizontally is
"of the air " and the vertical is "grounded in the earth". So spiritual and soulful at the same time."

Denise Tripp 13 July 2019
12 Drawings, "Dans la mouvance ", 90 x 84 cm, 2019.
In my process as an artist, i try to create poetic abstract images, inspired by Nature as my muse, with a strong tendency towards minimalism.

One can see a wide landscape with a low horizon, or an empty place, with trunks reaching into the space, trees between the rocks, silhouettes in the movement, shadows in the space, shadows in the sky. Together, it's both chaos and harmony, noise and silence, earthly and ethereal, full and empty, fragile and powerful.

It is a form of handwriting, in which the strokes and rhythm of the brush convey an important statement.

It's comparable to a musical score. Just like a musician, artists have to organise the chaotic movement and capture the dynamic balance. Instead of musical instruments, they use pencils, brushes, pens, crayons, and so on...

My art could be described as a poetic visualisation of the sound of music.

In this way, my work is an attempt at abstraction.


Text : Danielle Vidal-Ausseil
translation : Neven Curlin
drawing, from the series " Histoire d' arbres " , 100 x 70cm.
Siberian charcoal and graphite.
2019.
drawing, "tussen schaduwen en lijnen", 77 x 56cm, mixed media, 2019.
"De lijn meer kan dan alleen omlijnen. De lijn is wel dat zij massa of vaste vorm kan suggereren " Herbert Read.

Sepia, China ink, and siberian charcoal.
drawing, untitled, 100 x 70 cm, mixed media, 2017.
Graphite, Coloured pencils, China ink.
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